“All we did in Alabama was have a read through with the script, but there was, 'No, well, it needs more. You've got to do this, Albert. You've got to do that, Jessica.' It didn't feel like that at all.”
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I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important.
Albert Finney 
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To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.
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I'm doing another Churchill. I did a Churchill for HBO and that was up to 1939 and there's talk of the war years. They were going to do it this fall, but the script wasn't going to be ready.
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He tells you stories, but then, after a while, when you want more, he doesn't give you more. He insists on this old elaboration, the old stories that never changes.
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No, she is right up there with the best I've worked with. I was very impressed with her, I really was.
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