“To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.”
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In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
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Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.
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The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.
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I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.
Chuck Klosterman
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