“I had to work out that it was something that could move, without having everybody in spray painted leotards.”
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I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.
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Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles.
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Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are.
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In Chicago, I walked in knowing what the dancers were going to need.
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