“The way that I got involved with microtonal music was, frankly, through jazz.”
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The way that I got involved with microtonal music was, frankly, through jazz.
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In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed.
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I want the audience to be so involved in the sweep of the music.
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