“When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.”
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So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.
Luc Ferrari 
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Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
Luc Ferrari
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I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too.
Luc Ferrari
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I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
Luc Ferrari
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