“It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on.”
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Don't name it, as they say, because instantly you offer it to this peculiar authority.
Robert Creeley 
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The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it.
Robert Creeley
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It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case.
Robert Creeley
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Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him.
Robert Creeley
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That poetry survived in its formal agencies finally, and that prose survived to get something said.
Robert Creeley
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