“I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay.”
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It's a terrific... you can't put it down. So I phoned him back and I said I'd love to do it. I went over to Paris for a meeting, and we just talked very generally about the approach.
Ronald Harwood 
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No, I can't write treatments, I think there's a danger with treatments. That you... you write out your first excitement and enthusiasm in a prose treatment.
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I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay.
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Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.
Ronald Harwood
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I went straight in. Fade in, one... whatever. He's playing the piano in the radio station.
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